Calendar of Events

All Virtual Events are recorded and posted to the Museum’s YouTube page.

Most of our virtual programs are offered free of charge.
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May

Saturday, May 3, 3 p.m.
“Where Shadows Linger:” An Afternoon Ghost Tour

On this afternoon tour, we’ll explore some of the spookiest true tales of ghostly sightings at the Merchant’s House, as well as highlights from our ongoing research into strange and supernatural occurrences at the house. Join us to discover why The New York Times calls us “Manhattan’s Most Haunted House.” 60 minutes, strictly limited capacity. $20; $10 MHM Members and children ages 8-12. (Children under 8 are not permitted.) Purchase tickets for Afternoon Ghost Tour.

Sunday, May 11, 3 p.m.
Special Mother’s Day House Tour

Bring your mom to celebrate Mother’s Day at the Merchant’s House! Eliza Tredwell, matriarch of the Tredwell family, gave birth to eight children between 1821 and 1840. On this special tour, learn what motherhood entailed in the 19th century, both for wealthy women like Eliza, and members of the lower classes. We’ll also discuss the role of women in the household more broadly, as well as the history of the holiday. $20, MHM Members Free. Purchase Mother’s Day Tour Tickets.

Sunday, May 18, 1:30 p.m.
Walking Tour: The Tredwells’ World of 19th Century Noho

With the 1825 opening of the Erie Canal, the city’s economy boomed and wealthy merchant families escaped the increasing noise, congestion, and commercialization of the seaport area to move “uptown,” to what is now modern day NoHo, then an exclusive residential enclave. Join us as we explore the Tredwells’ elite neighborhood and discover what life was like for the wealthy merchant class in the mid-19th century. $20, FREE for Members. Reservations strongly recommended. Purchase walking tour tickets.

Walking tours are 90 minutes and meet outside the Merchant’s House.

Saturday, May 24, 1:30 p.m.
Walking Tour: The Tredwells’ World of 19th Century Noho

With the 1825 opening of the Erie Canal, the city’s economy boomed and wealthy merchant families escaped the increasing noise, congestion, and commercialization of the seaport area to move “uptown,” to what is now modern day NoHo, then an exclusive residential enclave. Join us as we explore the Tredwells’ elite neighborhood and discover what life was like for the wealthy merchant class in the mid-19th century. $20, FREE for Members. Reservations strongly recommended. Purchase walking tour tickets.

Walking tours are 90 minutes and meet outside the Merchant’s House.

June

Thursdays in June and July, 5 to 8 p.m.
Summer Evenings in the Garden
Join us for an informal evening to celebrate summer with light refreshments in the garden. Garden admission is free, enter via Manuel Plaza. No reservations.

Live music and guided tours on select evenings at 6 p.m., reservations recommended for house tours: $20, MHM Members free.

Thursday, June 5, 6 p.m. – Guided House Tour – Purchase tour tickets.
Thursday, June 12, 6 p.m. – Guided House Tour – Purchase tour tickets.
Thursday, June 19, 6 p.m. – Guided House Tour – Purchase tour tickets.
Thursday, June 26, 6 p.m. – Live Music with Jazz Flutist Cheryl Pyle – Free, no reservations.

Saturday, June 7, 3 p.m.
“Where Shadows Linger:” An Afternoon Ghost Tour

On this afternoon tour, we’ll explore some of the spookiest true tales of ghostly sightings at the Merchant’s House, as well as highlights from our ongoing research into strange and supernatural occurrences at the house. Join us to discover why The New York Times calls us “Manhattan’s Most Haunted House.” 60 minutes, strictly limited capacity. $20; $10 MHM Members and children ages 8-12. (Children under 8 are not permitted.) Purchase tickets for Afternoon Ghost Tour.

Current Exhibitions

Exhibitions are included with regular museum admission.

On display through August 10
Tredwell Costume Collection: Sarah Ann Tredwell’s Wedding Dress (MHM 2002.0849) and Jewelry (MHM 2002.1203), 1872
Sarah Ann Tredwell, a cousin of the Tredwells who lived in this house, wore this silk taffeta dress with orange blossom jewelry when she married in 1872. After the Civil War, wedding gowns made by the house of Worth in Paris were the height of fashion. They were the ultimate status symbol and were widely copied if an original was not in the budget; the excellent work of fine New York City dressmakers rivaled what could be purchased in Paris, and did not necessitate a trip overseas. Sarah Ann’s wedding jewelry, recently conserved, feature wax and silk orange blossoms. Orange blossoms were popularized for weddings by Queen Victoria, when she wore them at her marriage to Prince Albert in 1840. A tropical flower, they were difficult and expensive to obtain, so artifial blossoms like those on display were common.

Ongoing
Manhattan’s First Landmark
This year, New Yorkers celebrate the 60th anniversary of the City’s groundbreaking Landmarks Law signed on April 19, 1965. The Merchant’s House, because of its remarkable state of preservation and importance in the history of New York City, played a significant role in the landmarking movement from its very beginning. Only 20 buildings were designated at the Landmarks Preservation Commission’s initial meeting in September 1965; the Merchant’s House was the first in the borough of Manhattan. Original documents, photographs, correspondence, and press clippings tell the story of how preserving the Merchant’s House was recognized as critical, from its inception as a museum in the 1930s, through the start of the landmarking movement in the 1950s, to the passage of the Landmarks Law in April 1965 and the designation of the House at the first meeting of the Commission in September.


Ongoing
“Finest Surviving:” Ornamental Plasterwork at the Merchant’s House Museum
The 1832 Merchant’s House is one of only 120 buildings in New York City distinguished as an exterior – and interior – landmark. Its intact original ornamental plaster work is considered the “finest surviving” from the period. Learn how the plaster walls, ceilings, and ornamentation in the Merchant’s House were created in the 19th century. On display, original 1832 plaster fragments, as well as molds and plaster casts created by sculptor and ornamental plasterer David Flaharty, who used the same methods as the early 19th century artisans during a house-wide restoration in the 1970s.

 

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