August 21, 2017

Nature for Ladies: The Victorian Art of Flower & Seaweed Pressing

by Ann Haddad

Escaping the Summer Heat

As city dwellers do today, many 19th century New Yorkers desired to escape the wretched summer heat and humidity by retreating to the seaside or country for the fresh air and cooler temperatures. For the Tredwells, that usually meant traveling to Rumson, New Jersey, where they relaxed at their 850-acre farm near the ocean. But the summer of 1865 must have been a difficult time for the family. Their grief over the loss of Seabury Tredwell in March surely was still fresh, and they were only four months into their one-year mourning period.

White Mountain Station House, J.R. Hitchcock and Co., c. 1860, lithograph. Museum of the White Mountains, Plymouth State University.

White Mountain Station House, J.R. Hitchcock and Co., c. 1860, lithograph. Museum of the White Mountains, Plymouth State University.

A Change of Scenery

Perhaps that is why, in July 1865, 24-year-old Gertrude, no doubt along with other family members, chose a new destination. Instead of, or in addition to, summering in Rumson, they ventured to both the White Mountains of New Hampshire, and Northampton, Massachusetts. Popular tourist attractions in the mid-to-late 19th century, the White Mountains in particular drew many celebrated visitors, including Nathaniel Hawthorne, painter Thomas Cole, and Mary Todd Lincoln who, along with her son Robert, journeyed there in 1863. Northampton was called the “loveliest village of America” by The New York Times in 1865.

A Long Journey

Gertrude and her entourage could have taken two routes to reach the White Mountains. One was to hire a carriage to bring them to Peck Slip on the East River in lower Manhattan. There they would board the 3:15 p.m. steamer and travel to New Haven, Connecticut, then switch to the New Haven Railroad and later, a stagecoach, which would bring them to the White Mountains. Or, the carriage driver may have been directed to the New Haven Railroad depot at Fourth Avenue and 27th Street, where the group would board the 12:15 p.m. train and travel exclusively by rail. Either way, the day-long journey necessitated an overnight lodging, usually in Springfield, Massachusetts.

After spending a week or two enjoying the beauty of nature in the White Mountains, Gertrude and her fellow travelers made the return trip by rail, stopping for a time in Northampton, Massachusetts, where she and her party ascended Mt. Holyoke. Here she enjoyed another idyllic mountain scene, and the quiet beauty of the Connecticut River Valley, before returning home.

The Ox Bow of the Connecticut River from Mount Holyoke by Victor de Graily, ca. 1840.

The Ox Bow of the Connecticut River from Mount Holyoke by Victor de Graily, ca. 1840.

A Bounty in the Archives

How do we know for certain that Gertrude visited the White Mountains and Northampton in July 1865? The Tredwell Archives at the Merchant’s House Museum contain a large collection of pressed flowers and seaweed, both mounted in scrapbooks and on loose leaves, dating from 1858 to 1876. The scrapbooks bear Gertrude’s name and she made notations on several of the pages indicating where the specimens were obtained, such as “Mt. Holyoke,” “Northampton,” and “White Mountains.” They were dated either July 1865, or July 20, 1865.


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Mother-Daughter Time

We are not certain if all of the pressings in the extraordinary collection were made by Gertrude. Her sisters may also have enjoyed the hobby. But we do know that both scrapbooks of pressed flowers, ferns, and seaweed bear her name; and many individual pages bear the initials “E.T,” and “E.E.T.” This can only be Gertrude’s mother, Eliza Earle Tredwell. Perhaps Gertrude developed her obvious passion for the craft from her mother; it may have been an activity they pursued and delighted in together.

(Click to enlarge.)

A Victorian Pastime

In the mid-19th century, flower pressing emerged as one of the most popular pastimes for Victorian middle and upper class women. With plenty of time on their hands, and no dearth of resources, they sought to explore their artistic side in unique ways. Wishing to be part of the skyrocketing craze for natural history at that time, yet restricted by virtue of their sex, many women found the art of identifying and collecting plant specimens to be a respectable way of examining the natural world, improving their scientific knowledge, and preserving the beauty around them. It became an acceptable way for women to merge the natural world with the domestic one; respect for nature was also viewed as a Christian road to God. A woman given to this pastime would pride herself on her “herbarium,” or collection of flora.

Women also pressed flowers for sentimental and romantic reasons. The flora pressed into a book or album served as a remembrance of a particular person or event; for Gertrude, her scrapbook also served in part as a travel log.
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A Kindred Spirit

One well-known herbarium maker was the poet Emily Dickinson (1830-1886), who as a young girl pressed many specimens into a bound album, much like the ones created by Gertrude. In an 1845 letter to a friend, Emily wrote, “Have you made an herbarium yet? I hope you will if you have not, it would be such a treasure to you; most all the girls are making one.”

It is pleasant to imagine Gertrude and Emily (who lived only 10 miles away in Amherst) meeting on Mt. Holyoke as they pursued their shared passion!

How It Was Done

In order to maintain the freshness and vibrant color of the florals, Gertrude or Eliza purchased a wooden field press. Many stationers quickly caught on to the popularity of the hobby and rushed to stock presses and other needed supplies, such as paper and glue. For those who desired to learn the craft, popular magazines often published instructions, especially in the fall when the brilliant colors of the autumn foliage would inspire collecting.

Picking the flowers late in the afternoon ensured that all the dew had dried. They were then placed between sheets of blotting paper and pressed with a crank or straps to tighten and flatten the specimen. Once dried, the flowers were glued, sewn, or attached onto paper (which was plentiful and inexpensive during the Industrial Revolution), silk, velvet, or other fabric. Gertrude kept hers in a scrapbook; framing under glass was also a popular way to exhibit one’s work. Or the flowers could be pressed between the pages of a beloved book or family Bible.

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Many of the specimens in the Merchant’s House Museum collection are of delicate, intricately-patterned seaweed, probably gathered at the shore in New Jersey. Readily available, especially for women who spent summers at the seaside, seaweed emits a sticky, gelatinous substance when pressed, thereby eliminating the need for glue when mounting. The pungent smell subsided once the specimen was pressed. Seaweed presented an artistic and technical challenge (even for devotees such as Queen Victoria), for one had to work very carefully to avoid disrupting its complex structure. Added to that was the difficulty of wading into the water wearing heavy Victorian garb. The noted seaweed collector Margaret Gatty (1809-1873) recommended that “seaweeders” wear heavy men’s boots when wading: “Feel all the luxury of not having to be afraid of your boots.”

The collection also includes ferns gathered along the banks of the Shrewsbury River near to the family farm, as well as several specimens marked “Harlem,” reflecting the rural nature of that part of New York City in the mid-19th century.

Patience, Patience

One has to only glance at the Tredwells’ collection of pressed flora to realize the extraordinary precision, patience, and technical skill that was required to arrange the delicate specimens, especially the seaweed. Indeed, in a New York Times article from 1874, the reader is cautioned that seaweed pressing requires:

seabright1

(Click to enlarge.)

“… the greatest delicacy of touch and the most absolute attention. It would not be a bad idea to serve a preliminary apprenticeship at lace-making.”

Although they did not label their specimens, both Gertrude and Eliza created unique arrangements that are works of art. It must have taken hours to do such painstaking work; clearly both women loved exercising their artistic talents in this manner. Many of the flowers still retain their bright colors because they have had little exposure to light.

Mementos

It is uncertain if the trip to the White Mountains in July 1865 was the family’s first; they did make subsequent trips to the area, but none of the other pressings are marked as having been collected there. The latest specimen that bears Eliza’s name is dated August 24, 1876, and was collected from Seabright (another name for Rumson), when she was 79 years old! Eliza would die 6 years later, in 1882. We do not know how long Gertrude continued to enjoy the craft of flower pressing, or whether she derived joy from looking through the albums in later years. We like to think that they evoked sweet memories of happy days, and of her mother.

Sources:

  • Farr, Judith. “Victorian Treasure: Emily Dickinson’s Herbarium.” February 19, 2014. Academy of American Poets. www.poets.org. (accessed 8/8/17).
  • Giaimo, Cara. “The Forgotten Victorian Craze for Collecting Seaweed.” November 14, 2016. Atlas Obscura. www.atlasobscura.com. (accessed 8/8/17).
  • “From Northampton. Beauties of the Scenery.” The New York Times, 01 Sep 1865, Pg. 1.
    www.newspapers.com. (accessed 8/4/17).
  • Oatman-Stanford, Hunter. “When Housewives were Seduced by Seaweed.” Collector’s Weekly. November 7, 2013. www.collectorsweekly.com. (accessed 8/8/17).
  • “Passing Through: The Allure of the White Mountains.” Museum of the White Mountains Online Exhibition. Plymouth State University. www.plymouth.edu. (accessed8/4/17).
  • Richards, T. Addison. Appletons’ Companion Hand-Book of Travel. New York: D. Appleton & Company, 1862.
  • “Seaweed Pressing.” The New York Times, 29 May, 1874, p. 2. www.newspapers.com. (accessed 8/4/17).
  • Wallace, R. Stewart. “Turnpikes, Stage Coaches and the White Mountain Express: Transportation in the White Mountains.” wwwwhitemountainhistory.org/uploads/Turnpikes_enh.pdf. (accessed 8/4/17).
  • Witemeyer, Karen. “Victorian Flower Pressing,” Petticoats and Pistols. April 30th, 2011. www.petticoatsandpistols.com. (accessed 8/8/17).
February 10, 2017

The Man That Got Away: Gertrude’s Lost Sweetheart

by Ann Haddad

Dance Card, February 14, 1849, MHM 2002.4601.66a

An Abundance of Daughters

By anyone’s measure in antebellum New York City, the Tredwell daughters would have been viewed as highly desirable marriage prospects. As the children of Seabury Tredwell, a wealthy merchant with a fine home in the elite Bond Street neighborhood, they stood to inherit a portion of their father’s estimable worth. They counted among their social circle other members of the New York City upper class, and would have mingled with many eligible young men at the frequent soirées held at one another’s homes, or at other socially acceptable venues.

Party Girls

The Museum archives contain several items, including dance cards and playbills, that provide a glimpse of the Tredwell daughters’ social whirl. One is a silver Valentine’s Day dance card from the “Junior Bachelor’s Third and Last Soirée,” dated February 14, 1849. The lovely dresses in the Museum’s collection that belonged to the sisters indicate that they had the means and the sophisticated taste to keep up with fashion trends.

A Gentleman Caller

Gertrude Ellsworth Tredwell, born in 1840, was the youngest child of Seabury and Eliza. Family lore has it that when she was a young woman, Gertrude had a suitor whose name was Luis Walton. We don’t know if Luis ever had the opportunity to enter the Tredwells’ formal Greek Revival parlor to meet Gertrude’s father, and perhaps ask for her hand in marriage; however, we can be fairly certain the young man had three strikes against him. First, Luis’ father was a physician, from England. Physicians, especially those trained in England, were held in much lower esteem than they are today. Moreover, Seabury, a believer in homeopathy (see my blog post of October 18, 2016), might well have cringed at the idea of an allopath like Luis’s father becoming a member of his family. Second, Luis and his family were Roman Catholic. The Tredwell family came from a long line of staunch Episcopalians, and anti-Catholic prejudice ran deep in antebellum New York.

Thomas Nast. "The American River Ganges." Harper's Weekly, 1875. (commons.m.wikimedia.org)

Anti-Catholic political cartoon by Thomas Nast. Harper’s Weekly, 1875. (commons.m.wikimedia.org)

Finally, his mother was Irish; well, the Tredwell servants were Irish! The Irish were on the lowest rung of the social ladder; the contempt towards members of this large immigrant group was strenuous and prevalent. Surely, Luis could not expect to meet Seabury’s high standards of eligibility for Gertrude’s hand in marriage. And so, after his brief appearance on the Tredwell stage, Luis Walton vanished forever. Or did he?

A Liverpool Lad

Luis Puertas Richard Walton was born in Liverpool, England on November 18, 1840. The England census record of 1841 indicates that at the time of Luis’s birth, the family had a boarder named Luis Puertas, who was listed as a “cigar dealer from foreign parts.” This must have been Luis Walton’s namesake!

Luis’s father, Henry Christmas Walton, was a licensed physician and apothecary. His mother, Elizabeth, was from Ireland. In 1849, Luis was baptized Roman Catholic at the Church of St. Peter in Liverpool.

A Neighborhood Boy

Life must have been difficult for the Walton family, for in 1844 Dr. Henry Walton declared bankruptcy in London. This may be what compelled him to immigrate to New York City in 1850 with his wife and four children, when Luis was 10 years old. The family’s first identified residence was on 590 Houston Street, on the corner of Mercer Street, a short walk from the Tredwell home on East Fourth Street. From there they moved to West 10th Street.  By 1860, the family was comfortably ensconced in their own home on 37 West 16th Street, with five servants in their employ, indicating that the family’s financial situation must have vastly improved. We don’t know if Seabury was aware of their good fortune, but the young man’s religious and cultural disadvantages most likely prevailed in Seabury’s consideration of him as a potential son-in-law.

Luis Walton, 1861

Luis Walton, 1861

On to Medical School

We can only guess that Gertrude and Luis, living in such close proximity to one another, met somewhere in the neighborhood through mutual friends. We don’t know if they saw each other once Seabury expressed his disapproval. Luis may have been discouraged, but he clearly wanted to make something of his life. He pursued an education at Columbia College (then at Madison Avenue and 49th Street), earning his Bachelor of Arts degree in 1861, and three years later a Masters of Arts degree from the same institution. In 1870, after a two year course of study, he received his M.D. from the prestigious Columbia College of Physicians and Surgeons (then located at 4th Avenue and 23rd Street). His father was one of his preceptors during his medical training.

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A Successful Medical Career

Luis became a successful physician in New York City. After medical school, he resided and practiced for several years on West 17th Street; he then lived at various residences in the West 30s, until his final move to 73 West 50th Street, where he lived and maintained a lucrative general practice until his death. No doubt he followed his well-off private patients as they moved further uptown. He was a member of the Medical Society of the County of New York (1888-1903), as well as the New York Clinical Society.

Dr. Luis Walton (on right), with Dr. and Mrs. Edward Trudeau, circa 1880. (https://localwiki.org).

Dr. Luis Walton (on right), with Dr. and Mrs. Edward Trudeau, circa 1880. (https://localwiki.org).

Friendship with Edward Livingston Trudeau

In addition to his private practice, Luis served as an Attending Physician at both the Northern Dispensary (at Christopher Street and Waverly Place), and the Demilt Dispensary (at Second Avenue and East 23rd Street), charitable institutions that provided care to the poor and destitute of New York City. One of his colleagues at Demilt, who co-taught a class on diseases of the chest, was public health pioneer Edward Livingston Trudeau (1848-1915). Trudeau, himself a victim of tuberculosis, would in 1885 establish a famous sanatorium for victims of the disease in Saranac Lake in the Adirondack Mountains and, several years later, the first laboratory in the United States dedicated to the study of tuberculosis. In his autobiography, Trudeau makes frequent mention of Luis Walton, and credits his friend with drawing his attention to the work of the German physician Dr. Hermann Brehmer in establishing the practice of open-air treatment for tuberculosis. On a more personal level, Trudeau reveals Walton’s frequent calls and assistance during his bouts of illness:

“Dr. Walton was the greatest comfort at that time, and assured me he would look after my wife and ‘those dreadful little Trudeau brats,’ and he certainly kept his word. Walton all through the summer made regular pilgrimages to Little Neck [where Trudeau’s family stayed while he was recuperating in the Adirondacks], and reported to me of their welfare, while assuring me what a nuisance it was to have to look after another man’s family.”

Luis Walton Obituary. New York Herald, September 9, 1903.

Oh, to Be in England

Luis clearly loved the country of his birth. An avid Anglophile, he was a member of the prestigious St. George’s Society of New York, a charitable organization that offered assistance to those born under the British flag. He also made frequent excursions to London, where he was a member of the elite Bath Club in Piccadilly. On September 8, 1903, after a swim at the Club, Luis died suddenly. He was 62 years old. His death was attributed to longstanding heart disease. He was buried at Kendal Green Cemetery in London. He left his estate to his surviving sister, Lucy Walton Mooney. The obituaries in professional journals that appeared at his death indicate that he was a highly esteemed physician, with a kindly manner and a deep compassion for his patients.

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Lovers Apart?

We do not know the extent to which Gertrude and Luis maintained any relationship through the years. They must have corresponded with one another, for Gertrude referred to him in a letter to her nephew John T. Richards, dated November 18, 1924:

You know Dr. Walton had “Angina Pectoris” but he lived for years with it – Strained himself climbing the Alps.”

Gertrude also kept in touch with at least one member of Luis’s family. The law firm hired by Gertrude and Julia to manage the estate of Sarah and Phebe Tredwell upon their deaths in 1906 and 1907 was Blandy, Mooney, and Shipman. The Mooney is Edmund Luis Mooney, a nephew of Luis Walton, who was with him in London at the time of his death. Coincidence? What do you think?

Gertrude Tredwell (1840-1933), MHM 2002.0200

Luis Walton (1840-1903), MHM 2002.0210

Luis Walton (1840-1903),
MHM 2002.0210

19th Century Valentine, MHM 2002.4606.43

19th Century Valentine, MHM 2002.4606.43

Assuming that Seabury’s disapproval of Luis is what precipitated the young man’s disappearance from Gertrude’s life, what kept the couple apart after Seabury’s death in 1865? Why did Gertrude never marry? Tradition has it that she vowed that if she couldn’t wed Luis, she would never marry. Perhaps her mother and older siblings were as much against the marriage as her father had been. Gertrude may have been reluctant to go against his wishes and the predominant Protestant culture of affluence and gentility in which she was raised. Or maybe the answer is simply that she never fell in love with any man after Luis. Whatever their reasons, there is one certainty: neither Gertrude, nor Luis, ever married.

While researching Luis Walton, his 1861 graduate photograph was located in the Class Photograph Albums Collection at Columbia University Rare Book & Manuscript Library. Museum staff recognized him from a previously unidentified photo in the collection (pictured above). We don’t know how the carte-de-visite of Luis came to be in the Tredwell home, but it remained there for the rest of Gertrude’s life. Valentine’s Day is the perfect occasion to celebrate the star-crossed love story of Gertrude and Luis!

Sources:

  • ancestry.com England, Select Births and Christenings, 1538-1975. Accessed 7/29/14.
  • ancestry.com England Census, 1841. Accessed 7/31/14.
  • ancestry.com New York, State Census, 1855. Accessed 7/29/14.
  • ancestry.com United States Federal Census, 1860, 1870, 1880, 1900. Accessed 7/31/14.
  • ancestry.com U.S. City Directories, 1821-1989: 1902, 1903. Accessed 7/27/14.
  • ancestry.com Directory of Deceased American Physicians, 1804-1929, JAMA Citation: 1903:41:736. Accessed 7/27/14.
  • ancestry.com U.S. School Catalogues, 1765-1935: 1857-1861. Accessed 7/21/14.
  • “Apothecaries Hall.” Lancet. Volume 1, p. 167. Accessed 7/21/14.
  • “Bankrupts.” archive.thetablet.uk, pg. 8, 17 August, 1844. Accessed 7/21/14.
  • College of Physicians and Surgeons. Catalogue of the Alumni, Officers, and Fellows 1807-1880, p. 122. Archives & Special Collections, A.C. Long Health Sciences Library, Columbia University Medical Center.
  • College of Physicians and Surgeons. Student Registers 1863-64 – 1878-79. Archives & Special Collections, A.C. Long Health Sciences Library, Columbia University Medical Center.
  • College of Physicians and Surgeons. Graduates of the College of Physicians and Surgeons, Annual Catalog, 1870, p. 16. Archives & Special Collections, A.C. Long Health Sciences Library, Columbia University Medical Center.
  • Columbia University. Class Photograph Albums Collection 1856-1902, UA#0131, Bib. ID 10278078, Box 79, 1861. Rare Book & Manuscript Library, Butler Library, Columbia University.
  • Medical Directory of the City of New York. New York: Medical Society of the City of New York, 1887-1900.
  • Medical Register of New York, New Jersey, and Connecticut, 1872, p.158, 159.
  • New England Journal of Medicine. Volume 149, September 17th, 1903, p. 332.
  • newspaperarchive.com. London Standard, Friday, September 11th, 1903, p.7.
  • newspaperarchive.com. London Monitor and New Era. Friday, September 18th, 1903, p. 11.
  • Records of the Northern Dispensary, 1827-1955. Series 1, Box 3. New York University Archives, Bobst Library, New York University.
  • St. George’s Society. A History of St. George’s Society of New York from 1770 to 1913. New York, [St. George’s Society], 1913.
  • Trudeau, Edward Livingston. An Autobiography. New York: Doubleday, Doran, and Company, 1915.

 

February 1, 2017

The New Woman

by Esther Crain

Our thanks to guest blogger Esther Crain.
Esther Crain, a native New Yorker, is the author of 2016’s The Gilded Age in New York, 1870-1910 (Hachette) and the New-York Historical Society’s New York City in 3D in the Gilded Age (Black Dog & Leventhal) published in 2014. She is the founder and editor behind Ephemeral New York, a website that chronicles the city’s past, which was been featured in numerous publications, including the New York Times, New York Daily News, and New York Post.

Introducing the New Woman

Men and Women Cycling on Riverside Drive, 1898 (NYPL)

Men and Women Cycling on Riverside Drive, 1898 (NYPL)

They began appearing in the 1890s: young women, their hair pinned back or piled in loose waves under elaborate hats, striding confidently down Broadway and Fifth Avenue. Dispensing with the petticoats and heavy corsets that weighed their mothers down a generation earlier, these middle- and upper-class women dressed in crisp, high-collared shirtwaists and long tailored skirts—garments which scandalously rose several inches off the ground when they pedaled a bicycle on Riverside Drive or strolled along gusty 23rd Street.

This army of “new women,” as they were called, embraced the progressive thinking of the later Gilded Age. Not content to be confined to the sphere of the home, they took part in the social world of theaters and restaurants. Some attended new women’s colleges like Hunter and Barnard. Many pursued something of a career: in settlement houses, as typists, or in the arts. Perhaps they lived independently. “Bachelor girl” apartments were the latest fad reported by the press, which was endlessly fascinated by the New Woman’s comings and goings.

New Woman’s Cycling and Tennis Outfits, 1861 (NYPL)

New Woman’s Cycling and Tennis Outfits, 1861 (NYPL)

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A City Captivated

“There had been much said in the newspapers concerning the New Woman and what kind of creature she was,” stated the Brooklyn Daily Eagle in March 1895. “The pictorial papers had ridiculed her, showing her standing at bars drinking on street corners smoking cigars. This ridicule, however, would not prevent the coming of the New Woman. She would occupy any and every place, which an intelligent human being could fill: the bar, the pulpit, the legislative hall, and will be found in every trade and profession.”

Older generations were shocked by her self-reliance and sense of purpose in the wider city. Her male counterparts took her autonomy in stride and enjoyed her propensity to play tennis and ride a bike. Cultural critics worried about her morals. Pioneering women’s rights activists largely cheered her on. “The finest achievement of the new woman has been personal liberty,” wrote writer and champion of women’s freedom Winnifred Harper Cooley in 1904.
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What Did Gertrude Tredwell Think?

Gertrude Tredwell

Gertrude Tredwell, 1840-1933

The New Woman must have been an alien creature to Gertrude Tredwell. Born in 1840, Gertrude was a product of a much smaller New York that barely extended past Union Square. At the time of her birth, the city’s population hovered at approximately 300,000; by 1860, about half a million more people inhabited New York, including immigrants largely from Ireland and Germany whose lives were vastly different than that of the Tredwell family.

In the pre-Civil War city, men of means like Gertrude’s merchant father, Seabury Tredwell, occupied the outside worlds of business and politics and could freely enjoy restaurants, saloons, and sports. Women like herself, her mother, and her sisters were supposed to be “the angel of the home,” raising children, managing her household, and influencing the moral development of her family.

Like the typical New Woman, Gertrude was born into comfortable financial circumstances. But the comparison ends there. The New Woman was determined to develop independence and live freely, her movement and safety enhanced by electric streetlights and the new whirring cable cars. Gertrude, on the other hand, didn’t leave the Tredwell home. She came into the world at 29 East Fourth Street, grew up in an enclave of wealth and refinement, and died in the same house, amid a much shabbier neighborhood, 93 years later.

Elizabeth Cady Stanton and Susan B. Anthony, 1866-1871 (MCNY)

Elizabeth Cady Stanton & Susan B. Anthony, 1866-1871 (MCNY)

The Fight for Equal Rights

Within the span of Gertrude Tredwell’s life, the equal rights era that led to the New Woman was ushered in. After the Civil War, Elizabeth Cady Stanton and Susan B. Anthony relaunched their fight for women’s rights, including the right to the vote. Working from an office on Newspaper Row, Stanton and Anthony published their weekly paper, Revolution. (“Men their rights, and nothing more; women their rights, and nothing less” was the motto.) They spoke out at lecture halls like Cooper Union at Cooper Square and Steinway Hall, on East 14th Street, both not far from the Tredwell home.
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As the Gilded Age continued, individual women made strides. Dr. Elizabeth Blackwell, the nation’s first female doctor, opened a medical school for women. Despite the fact that she was legally barred from voting, Victoria Woodhull announced her quest to be the first woman president and ran on the new Equal Rights party ticket. Josephine Shaw Lowell founded the city’s Charity Organization Society. Nelly Bly and Alice Austen pioneered a type of journalism that called for social changes. Lillian Wald and Mary Kingsbury Simkhovitch founded settlement houses and sparked a wider movement to boost opportunities for women and children.
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The Working Girl Makes Her Entrance

Shop Girls, 1880 (NYPL)

Shop Girls, 1880 (NYPL)

Rising at the same time as the Equal Rights movement and this new professional class of women was another Gilded Age female archetype: the working girl. With men off on the battlefields during the Civil War, women took their place. These young, often immigrant women toiled in factories, clerked in offices, cooked and cleaned in private homes, and acted as shop girls in the dry goods emporiums of Ladies Mile. After the end of the war, they continued to work. In 1869, one-fourth of all women in New York did paid labor, according to the New York Herald.

Upper class women tended to be indifferent to them. (“While yet your breakfast is progressing, and your toilet is unmade, comes forth through Chatham Street and the Bowery, a long procession of them by twos and threes to their daily labor,” wrote Fannie Fern in an 1868 essay aimed at the middle class.) Even so, the mass of working women changed the look of the city, joining men in streetcars on the way to work in the morning and back to their family home or boardinghouse when the day was done. They were the subject of plays and popular songs. No labor laws mandated that women and men in the same job get equal paychecks, so they were paid less. Harassment on the job was a problem, as was unscrupulous male bosses who wouldn’t pay up. To help, the Working Women’s Protective Union formed in 1863. Located on Bleecker Street, it was a few blocks—but worlds away—from the Tredwell home.

The Suffragist Hits the Streets

Suffrage Parade, 1912 (WDL.org)

Suffrage Parade, 1912 (WDL.org)

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As women’s presence and power increased in New York, many coalesced behind one main goal: the right to vote. In the 1900s and 1910s, suffrage supporters rallied in Union Square and held many parades on Fifth Avenue that were catnip to the media, always obsessed with the New Woman and her sisters in arms. In 1912, about 10,000 parade marchers demanded the vote. In 1915, the number of marchers swelled to 40,000. In 1917, New York voters gave women the right to cast their ballots—three years before the 19th amendment was ratified.

Did Gertrude register to vote along with more than 414,760 women from New York State following the 1917 decision? No. But it’s hardly surprising. She would have been 77 years old by then, a member of the 19th century wealthy merchant class now living in the progressive 20th century, when the city’s population was closing in on 5 million. Her last surviving sister died in 1909, leaving Gertrude impoverished and alone.

Surely she was aware of the enormous changes in the status of women in her lifetime. She must have read newspaper accounts of Stanton and Anthony; certainly she came across the New Woman, striding along Broadway or socializing with friends. Gertrude likely watched shop girls head to factories and store counters from her window on East Fourth Street, now a rougher-edged neighborhood that was less residential and bent toward light manufacturing. What did she think of them and the new world women inhabited? If only the Merchant’s House walls could talk.

Tredwell family research contributed by William Herrlich.